Spirit photography began in the late 19th century, around the time that the the spiritualism movement was gaining traction across Europe and the United States. The photographers who practiced it claimed that they could capture images of a portrait subjects and their deceased loved ones in a single frame. The haunted images were a big hit and spirit photographers like William H. Mummler, who charged ten dollars for a photo—which was considered a huge amount of money at the time, thrived.
“Photography
was very new at the time and people didn’t really understand how it
worked,” says Jolene Lupo, Manager of Manhattan’s Penumbra
Tintype Studio, a nonprofit dedicated to historical forms of
photography. “They knew that it could see more than the human eye could,
but they didn’t understand the boundaries of the medium.”
Sometimes ghosts would appear very realistic, with their arms draped around the living portrait sitter. In other images the spirits would appear as no more than cotton-like whisps. One of Mummler’s most well known images featured first lady Mary Todd Lincoln sitting with a translucent image of her husband Abraham Lincoln—five years after he was assassinated.
“Each photographer had their own trademark,” says Lupo. The haunted frames were obviously—at least to our modern minds—a result of some kind of manipulation: chemical, in-camera or something done in the darkroom. Every photographer seemed to have a few tricks for making the ghosts appear.
Eventually spirit photographers like Mummler were exposed as frauds, although in some cases it was difficult to pinpoint what exactly had been done to create the image. People began to understand that the ghost-like figures were created by the photographer, but the practice of spirit photography continued.
Read Full Story: Popular Photograghy
Sometimes ghosts would appear very realistic, with their arms draped around the living portrait sitter. In other images the spirits would appear as no more than cotton-like whisps. One of Mummler’s most well known images featured first lady Mary Todd Lincoln sitting with a translucent image of her husband Abraham Lincoln—five years after he was assassinated.
“Each photographer had their own trademark,” says Lupo. The haunted frames were obviously—at least to our modern minds—a result of some kind of manipulation: chemical, in-camera or something done in the darkroom. Every photographer seemed to have a few tricks for making the ghosts appear.
Eventually spirit photographers like Mummler were exposed as frauds, although in some cases it was difficult to pinpoint what exactly had been done to create the image. People began to understand that the ghost-like figures were created by the photographer, but the practice of spirit photography continued.
Read Full Story: Popular Photograghy
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